Riffs, grooves, and rhythms were crafted on a wide array of instruments-electric bass, drums, Oberheim DMX, Prophet 5 synthesizer, and objects identified in the credits with names like "Percussion (Wood, Silver, Plastic)," "Guitar (Prepared, China)," and "Guitar (Cloud Guitars)"-and then broken apart, looped, layered, run through primitive effects, and reassembled at last by the razor-wielding producer across lengthy spools of reel-to-reel tape. Leimer, but Savant’s approach was something like an avant-garde jam band re-imagined as musique concrète. The Seattle experimentalist is best known for the woozy ambient music he has released as K. "The intelligence resides in the work, not the individual," explains Kerry Leimer in the liner notes to Artificial Dance, a retrospective collection that highlights the unpredictable alchemy of his early 1980s studio project Savant.
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